Tag Archives | performance

Ziad Rahbani to Perform at The Grand Opening of Beiteddine Art Festival

Beiteddine festival is taking place this year from July 12th till August 15th, and Ziad Rahbani will be opening it with a couple of concerts on July 12th and 13th.

According to the Beiteddine.org, Ziad will be reviving songs from his 40 years’ repertoire which basically promises that this concert is going to be one of the best since many years. Apart from releasing Bennesbe Labokra Shou and Film Ameriki Tawil in cinemas, the last time Ziad really amazed was back in 2008 when he presented Mni7a at the UNESCO Palace in Beirut and in 2007 when he performed in Damascus. The songs selection was great, there were several hilarious moments, and the singers who were with him were also incredible. Since then I attended one concert he held at the sea front but to be honest it was quite dull compared to the previous ones.

I already got my tickets for Beiteddine and I really hope the it will be up to everybody’s expectations! If you’re interested then tickets are on sale at Virgin Ticketing.

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Review – Beirut Fawq Al Shajara بيروت فوق الشجرة

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I recently watched “Beirut Fawq Al Shajara” written by Yehya Jaber and starring Ziad Itani, the same duo who brought us “Beirut Tarik Jdideh” a couple of years ago. And while the latter featured stories inspired from the day to day lives of people living in Tarik Jdideh, the new play focused on events that took place around other areas in Beirut. It might sound redundant at first, but trust me it isn’t. Ziad Itani delivered once again a solid performance without feeling fake on stage, and never failed to crack the audience up at the stories he was illustrating.

Beirut Fawk al Shajara follows the story of Fouad, a Beiruti influenced by his Turkish grandmother as a child, who manages to engage into relationships with many women of different nationalities as he ages while working as tailor. With each relationship we get introduced to some event that took place at a certain time in Beirut’s recent history in a humorous way.

What makes it all interesting is that despite the whole story being fictitious, the events Ziad Itani tells are all pretty accurate. So you’ll be laughing your heart our over the play duration but still learn a good deal from the recent history of the city. You are also guaranteed to be leaving the theater and for some reason humming “Oh lali 3ala Oh lala”!

All in all, and as a side note, I’m really satisfied about the plays Lebanese artists have performed over the last few years such as Venus, Ka3eb 3aleh, and Injazat 7ayat to name a few that do not speak to the audience in a dumb way the same way Lebanese movies and drama series mostly do.

Beirut Fawq Al Shajara is showing at Teatro Verdun (Dunes Center) on Mondays and Thursdays, with tickets selling for 35,000L.L. Needless to say, I highly recommend you go watch it!

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A Very Subjective Opinion on “Bennesbeh Labokra Chou?” The Movie

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I finally managed to watch “Bennesbeh Labokra Chou?” in cinema a couple of days ago and was so delighted to finally see the original acting instead of imagining the scenes in my head!

The work that M Media has done is definitely remarkable since the movie is actually made out of several amateur recordings of the play that were carefully reconstructed and arranged to make a relatively smooth movie. But as much as I enjoyed watching the whole thing, I couldn’t stop thinking the whole time that “Bennesbeh Labokra Chou?” is so perfect it deserved a way better video quality.

The videos are basically all grainy, out of focus at times and shaky at others. I don’t mean there was anything that could have been done better… Retaking a shot is absolutely not an option in our case and the producers were obliged to work with anything Ziad was providing. However, the end result was unfortunately a movie that I don’t feel like watching again unlike the audio plays that I never get bored of. Ziad El-Rahbani is probably the only one to blame for not taking the shooting seriously back then.

“Film Ameriki Tawil” will soon be also showing in cinemas, and I just hope it is recorded in a more professional way. Ziad’s play are timeless and deserve to be treated the same way some Egyptian classics like “Madraset Al Moushaghibin” and “El Wad Sayyed El Shaghal” are still being aired on TV sometimes.

Anyway, what I’ve wrote should never keep you from watching “Bennesbeh Labokra Chou?” on the big screen. And despite the bad quality of the video, I guarantee you will still enjoy finally seeing the original acting, especially the part where Joseph Sakr sings “3a Hadir El Bosta” with everyone around him dancing to it.

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3 Reasons to Avoid The Early Screenings of Bennesbeh Labokra Chou

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Don’t get me wrong, just as you guys probably felt, I was also super excited to learn that Ziad is finally releasing Bennesbeh Labokra Chou in cinemas and I’m already planning to go see it but I personally really prefer to skip to the first few screenings for these reasons.

  1. Ziad fanatics

    We all have that one annoying friend who literally worships Ziad Rahbani and takes every possible opportunity to quote a line from his plays. Some even take it a bit further and imitate the way Ziad speaks. These guys have definitely already booked their tickets and will be all present at the early screenings. Chances are no one wants to be present wherever these people gather and start talking to each other… at least I dont!

  2. The joke spoilers

    Some people can recite the play like the alphabet since they know it by heart. To prove their skills, they will be spoiling every single joke before the actors even start with it. These ones will also be there for the early shows and you probably don’t want to be with them in the same theater!

  3. We all know the ending anyway

    There’s no way for someone to ruin the play for you since we’ve almost all heard it a thousand times and know how it ends. I personally want to go see it because it’s a privilege seeing Ziad Rahbani and Joseph Sakr performing together after 35 years of hearing them on the radio, so waiting a little until the craze cools down a little bit won’t hurt.

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Ibrahim Maalouf won Best Wold Music Album at Victoires de la Musique

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Here’s some positive news for Lebanon! Ibrahim Maalouf, the very talented trumpeter, won a prize at Victoires de le Musique for the Best World Music Album “Illusions” which was released last year.

Les Victoires de la Musique is a prestigious annual French award ceremony to recognize outstanding achievements in the music industry, so Ibrahim Maalouf sure made it big! Congratulations!

The full list of the winners can be found here, and you can watch below Ibrahim Maalouf’s performance at the ceremony.

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Aline Lahoud on The Voice France

Lebanese singer Aline Lahoud auditioned on The Voice France last night and had all four judges Florent Pagny, Jennifer, Mika (who’s of Lebanese origins), and Garou turn around to claim her before she decided to join Florent Pagny’s team.

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I’m not and was never a fan of Aline but I believe she gave an impressive performance singing Khidni Maak by her late mother Salwa Katrib. Moreover, I found it quite humble of her to audition for The Voice, while whoever appears once on TV here starts labeling himself as a celebrity, and singing competitions become a no-no for them.

Good luck to you Aline!

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Red Bull awakens Jeita grotto!

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Red Bull never ceases to amaze me with the events and stunts they keep organizing and sponsoring. And one of the really cool stuff they recently did was getting a Dutch wakeboarding star called Duncan Zuur to perform some of his maneuvers inside Jeita Grotto!

Make sure to check the stunt’s video below.

You can also check here for an additional video and several photos of the performance.

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Fete de la Musique 2013 Program

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The 13th edition of Fete de la Musique is taking place this Friday June 21st, and just like every year, the festival is bringing together amateur and professional musicians and will span over 10 locations across Beirut.

Below is the festival program for you to choose where to go.

PLACE DES MARTYRS
19h00 – 19h45 TENOR GABRIEL ABDEL NOUR ET LA CHORALE GLADIC
19h55 – 20h25 BANDAGE [rock]
20h35 – 21h15 PINDOLL [nu-jazz/post-rock]
21h25 – 22h05 EMPTY YARD EXPERIMENT (EYE) [DUBAI/ post-rock]
22h15 – 22h55 TANJARET DAGHT [SYRIE / rock]
23h05 – 23h45 JAY WUD [rock]
23h55 – 01h00 NEAR SURFACE [rock alternatif]

THERMES ROMAINS
19h20 – 19h50 JOY FAYAD [pop]
20h00 – 20h40 LARA EIDI [GRECE / folk]
20h50 – 21h20 POCHETTE SURPRISE
21h30 – 22h30 DALELE [FRANCE / chanson française]
22h40 – 23h20 THE JJ’S [BELGIQUE / pop, rock acoustique]
23h30 – 23h50 SEGUNDO BLOCO [Percussions brésiliennes]
00h00 – 01h00 CONSOLE [ALLEMAGNE / électro]

BEIRUT SOUKS PLATEFORME
19h20 – 19h50 SNOWSLASH [rock]
20h00 – 20h30 CHAMPLAIN [chanson française]
20h40 – 21h10 BRUNO TABBAL [variété pop]
21h20 – 21h50 THE MISSING PIXELS [folk, pop]
22h00 – 22h30 SANDMOON [indie pop folk]
22h40 – 23h10 NOUR [pop]
23h20 – 23h50 GILBERT SIMON [variété pop]
00h00 – 00h30 SILVERAGE [rock, pop]
00h40 – 01h10 ALBATROSS [Pink Floyd Tribute Band]

BEIRUT SOUK PLACE AJAMI
19h20 – 19h50 BLUE LACE [rock]
20h00 – 20h30 DIDA’S AVEC HOME [quintet acoustique]
20h40 – 21h00 JEBEBARA [percussions africaines]
21h10 – 21h30 ADRIEN [variété]
21h40 – 22h00 MIKEL AOUN AND THE COUNTRY BOYS [country, rock n’roll]
22h10 – 22h30 AFROBEAT COLLECTIVE [percussions africaines]
22h40 – 23h10 EPISODE [rock symphonique]
23h20 – 23h50 SHADOWALLS [rock progressif]
00h00 – 00h30 IMPULSE [rock, trip hop]
00h40 – 01h00 AUDIO TRAFFIC (rock alternatif)

ZAITOUNAY BAY
19h10 – 19h30 AL KAMANDJATI [oriental]
19h40 – 20h00 BL 3ARABE [oriental, fusion]
20h10 – 20h40 RIBAL RAYA [musique orientale]
20h50 – 21h00 TWINS AG
21h10 – 21h50 AUDIYAT [musique orientale]
22h00 – 22h40 ROJO DEL LIBANO [flamenco]
22h50 – 23h30 MASSAR EGBARI [EGYPTE / rock jazz oriental]
23h40 – 00h20 MEEN [rock libanais]
00h30 – 01h00 RASTA BEIRUT [reggae]

JARDIN SAMIR KASSIR
19h00 – 19h20 THE LOWHIGHS [soft rock]
19h30 – 19h50 BLUE YEAST [blues, jazz]
20h00 – 20h30 NACHAZ (rock blues)
20h40 – 21h10 POSTCARDS [indie folk]
21h20 – 21h50 CAMILLE AND LORY [soft rock]
22h00 – 22h40 OAK [folk]
22h50 – 23h20 THE COOLCUMBERS [rock alternatif]
23h30 – 00h00 MURPHEY LAWLESS [blues]
00h10 – 00h40 THE BANANA COGNACS [funk]
00h50 – 01h30 AL 3ARABI MO5 [hip hop]

WATERFRONT / BASEMENT
MQUBE
MAD
COTTONMOUTH
DAVID MAOUAD
VANCLOD JANDAM
RONIN & NESTA
RAMZI SHAAR – Stellar Phonics Recordings
ALTERRA

EGLISE SAINT LOUIS DES CAPUCINS
18h00 CORALINO (chorale)
19h00 LEBANESE MUSIC SCHOOL (musique classique et moderne)
20h00 CTI CANTORES (chorale)

EGLISE SAINT ELIE (KANTARI)
18h00 – 18h45 TRIO DE FLEURS (opéra)
19h00 – 20h00 AL BUSTAN FESTIVAL CHOIR (musique classique)

EGLISE EVANGELIQUE ECOLE DES ARTS GHASSAN YAMMINE
Le vendredi 21 juin, à 19h à l’Eglise Evangélique du Centre-Ville
19h – Première partie : Musique de Chambre
Trio (flute, clarinette, basson)
-Divertimento (Mozart)
-Old Hungarian dances (Ferenc Farkas)
-Various pieces from (Vivaldi)
-2 pieces (Mozart)
-Trio (F.R Gebauer)
19h30 – Deuxième partie : Airs d’opéra
Puccini, Donizetti, Tchaikovsky et Rimsky-Korsakov

via Lebtivity

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Men El Ekhir – Arab Eagle

The average interview time on Men El Ekhir is around 10 to 12 minutes I guess, so why exactly would Pierre Rabbat and his team allocate 22 minutes for someone they just want to make fun of?

This guy, Kassem Boutah or The Arab Eagle, previously appeared on Arabs Got Talent and failed miserably.

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